Alongside my work in sound, I maintain an active visual practice focused on record artwork, publication design, typesetting, branding and image systems.
I serve as the executive designer for NAFF and Garmo Records, overseeing visual direction, record packaging, and identity development. In parallel, I collaborate with artists, labels, publishers, and cultural institutions across independent and international contexts. I am also the co-founder and main artistic director and designer for Éditions Appærent.
Selected clients and collaborators include PHI Center, Model/Actriz, Société des arts technologiques, Akousma Festival, Ninja Tune, Haunter Records, Ouri, Glaive, Blackhaine, Hildegard, Sounds of Paimon, Fat Possum Records, DFA Records, Universal Canada, SSENSE, Éditions Appærent, E-tron Records, Marie Davidson, The Weather Station, Virginie B, VISIO, CECILIA, Laurence-Anne, Perfume Genius, Renick Bell, Priori, Maara, Rouzbeh Shadpey, True Panther Records, SVBKVLT, Boomkat, Interzone, Never Apart, Year Zero Publishing, Bonsound, Ceremony Press, AVYSS Magazine, Soraï, Code D’accès, Office Magazine, Mirae Arts, NAFF, Car Culture, Mothland, American Dream Records, La Rama, Temple Records, Gonima, Ascetic House, KWARP, Jump Source, SINK, Thom Speakman, Joel Lavoie, Werner Levant, Noah Rosa, Christian Sean, Causal Chain, M. Salaciak, and Unknown-Untitled.
My approach to design is structural and material. I’m interested in narrative, abstraction, symbolism, itemization, archiving and detail — in proportion, rhythm, negative space, typographic systems, and the physicality of print. Whether working on a record package, a book publication, merch of all kinds, or a digital identity, the aim is to create visual forms that hold weight — that carry lore, storytelling, and embedded details, including subtle references and visual easter eggs that reward attention over time.
Because I come from a very involved and passionate musical background, my design work often operates from inside culture rather than observing it externally. I understand the stakes of a record release, the importance of sequencing, the texture of materials, and the subtle balance between clarity and ambiguity. This informs both the aesthetic and production sides of my process.
Projects are quoted on a per-project basis. I work on a sliding scale depending on scope, complexity, and context. Independent artists and self-funded initiatives are approached differently than institutional or commercial commissions, with the aim of maintaining fairness and sustainability on both sides.
If you’re interested in collaborating or would like to discuss a project, feel free to reach out. I can help shape or bring your project to fruition.